3D modely ART

Apollo of Piombino at The Louvre, Paris

velikost souboru - 38MB

stáhnout soubor 3D vizualizace

The Apollo of Piombino or the Piombino Boy is a famous Greek bronze statuette in late Archaic style that depicts the god as a kouros or youth, or it may be a worshipper bringing an offering. The bronze is inlaid with copper for the boy's lips, eyebrows and nipples. The eyes, which are missing, were of another material, perhaps bone or ivory.
It was found in 1832 at Piombino (Roman Populonia), in Etruria, in the harbor off the southwest point and was purchased for the Musée du Louvre in 1834. Its archaic style led scholars like Reinhard Lullies and Max Hirmer to date it in the 5th century BCE and place its facture in Magna Graecia, the Hellenic culture area of southern Italy; Kenneth Clark illustrated it in The Nude(1956), Karl Schefold included it in Meisterwerke Griechischer Kunst 1960 and casts of it were to be found in university and museum study collections; one made by the Louvre has been returned to Piombino. Instead, B.S. Ridgeway (Ridgeway 1967) proved it to be— not simply an archaising sculpture of the 1st century BCE, of the kind designed to appeal to a Roman with refined tastes— but a consciously fabricated Roman forgery, with a false inlaid inscription of silver in archaic lettering on the left leg. The inscription dedicates this Apollo to Athena, an anomaly. The two sculptors responsible could not resist secreting inside the sculpture a lead tag inscribed with their names, which was found when the sculpture was conserved in 1842. One was aTyrian émigré to Rhodes. The Louvre's website adds that a comparable work uncovered in 1977 in Pompeii, in the villa of C. Julius Polybius, corroborates the hypothesis of an archaising pastiche, made for a Roman client in the 1st century BCE.
The study of ancient Greek sculpture in the last decades has moved away from the traditional practice of identifying sculptures based on brief literary descriptions and attempting to recognize the characteristic manner of some famous names as reflected in reproductions of their work and variants based on their style, to concentrate instead on the socio-political world in which sculpture was created and other less subjective criteria.

náhodný výběr modelů

Meleager at The V&A, London

Sweeping Gesture for Maximum Space at the Middelheim Museum in Antwerp, Belgium

Bust of Melpomene at The Réunion des Musées Nationaux, Paris

Chu State 'ant-nose' money at The British Museum, London

St John The Baptist at The Tate Britain, London

Animal Head at Tate Britain, London

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Apollo of Piombino at The Louvre, Paris velikost souboru - 38MB stáhnout soubor 3D vizualizace The Apollo of Piombino or the Piombino Boy is a famous Greek bronze statuette in late Archaic style that depicts the god as a kouros or youth, or it may be a worshipper bringing an offering. The bronze is inlaid with copper for the boy's lips, eyebrows and nipples. The eyes, which are missing, were of another material, perhaps bone or ivory. It was found in 1832 at Piombino (Roman Populonia), in Etruria, in the harbor off the southwest point and was purchased for the Musée du Louvre in 1834. Its archaic style led scholars like Reinhard Lullies and Max Hirmer to date it in the 5th century BCE and place its facture in Magna Graecia, the Hellenic culture area of southern Italy; Kenneth Clark illustrated it in The Nude(1956), Karl Schefold included it in Meisterwerke Griechischer Kunst 1960 and casts of it were to be found in university and museum study collections; one made by the Louvre has been returned to Piombino. Instead, B.S. Ridgeway (Ridgeway 1967) proved it to be— not simply an archaising sculpture of the 1st century BCE, of the kind designed to appeal to a Roman with refined tastes— but a consciously fabricated Roman forgery, with a false inlaid inscription of silver in archaic lettering on the left leg. The inscription dedicates this Apollo to Athena, an anomaly. The two sculptors responsible could not resist secreting inside the sculpture a lead tag inscribed with their names, which was found when the sculpture was conserved in 1842. One was aTyrian émigré to Rhodes. The Louvre's website adds that a comparable work uncovered in 1977 in Pompeii, in the villa of C. Julius Polybius, corroborates the hypothesis of an archaising pastiche, made for a Roman client in the 1st century BCE. The study of ancient Greek sculpture in the last decades has moved away from the traditional practice of identifying sculptures based on brief literary descriptions and attempting to recognize the characteristic manner of some famous names as reflected in reproductions of their work and variants based on their style, to concentrate instead on the socio-political world in which sculpture was created and other less subjective criteria. náhodný výběr modelů Meleager at The V&A, London Sweeping Gesture for Maximum Space at the Middelheim Museum in Antwerp, Belgium Bust of Melpomene at The Réunion des Musées Nationaux, Paris Chu State 'ant-nose' money at The British Museum, London St John The Baptist at The Tate Britain, London Animal Head at Tate Britain, London
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