3D modely ART

Cupid cutting his bow from the club of Hercules at the Louvre, Paris

velikost souboru - 13MB

stáhnout soubor 3D vizualizace

Cupid, portrayed here as an adolescent, has stolen the weapons of Mars and the club of Hercules. Proud of having disarmed these two formidable deities, he laughs maliciously as he tests the spring of the bow he has carved out of the club. Bouchardon showed the terra-cotta model at the 1739 Salon; a marble was commissioned by Philibert Oudry, director of the King's Buildings, in 1740, but as Bouchardon was fully occupied by the Grenelle fountain, he did not begin work on it until 1745. The sculptor made several studies from life to give his figure a natural appearance and exhibited a plaster model at the 1746 Salon. He worked on the marble from July 1747 to May 1750, carrying out the sanding and polishing himself, tasks usually carried out by assistants. However, the astronomical fee - 21,000 livres - he received for the sculpture more than compensated for this.

náhodný výběr modelů

Birth of The Universe - Cancer Research DNA Sculpture at Saint Pauls Cathedral, London

The Eternal Monk - Tokyo

Baudouin in Brussels, Belgium

Bust of a Roman Woman at The State Hermitage Museum, St Petersburg

Silver stater coin from Corinth at The British Museum, London

The Three Graces at the Hermitage Museum, Russia

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Cupid cutting his bow from the club of Hercules at the Louvre, Paris velikost souboru - 13MB stáhnout soubor 3D vizualizace Cupid, portrayed here as an adolescent, has stolen the weapons of Mars and the club of Hercules. Proud of having disarmed these two formidable deities, he laughs maliciously as he tests the spring of the bow he has carved out of the club. Bouchardon showed the terra-cotta model at the 1739 Salon; a marble was commissioned by Philibert Oudry, director of the King's Buildings, in 1740, but as Bouchardon was fully occupied by the Grenelle fountain, he did not begin work on it until 1745. The sculptor made several studies from life to give his figure a natural appearance and exhibited a plaster model at the 1746 Salon. He worked on the marble from July 1747 to May 1750, carrying out the sanding and polishing himself, tasks usually carried out by assistants. However, the astronomical fee - 21,000 livres - he received for the sculpture more than compensated for this. náhodný výběr modelů Birth of The Universe - Cancer Research DNA Sculpture at Saint Pauls Cathedral, London The Eternal Monk - Tokyo Baudouin in Brussels, Belgium Bust of a Roman Woman at The State Hermitage Museum, St Petersburg Silver stater coin from Corinth at The British Museum, London The Three Graces at the Hermitage Museum, Russia
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