3D modely ART

The Ludovisi Gaul Killing Himself and His Wife at The Palazzo Altemps, Rome

velikost souboru - 48MB

stáhnout soubor 3D vizualizace

Title
The Ludovisi Gaul Killing Himself and His Wife

Artist
Unknown

Date
Unknown, after Attalus I (?)

Medium
Marble

Dimensions
Unknown

Accession #
Unknown

Credit
Roman copy of an early Hellenistic original ca. 230-20 BC commissioned by Julius Caesar

The Ludovisi Gaul Killing Himself and His Wife (sometimes called "The Galatian Suicide") is a Roman marble group depicting a man in the act of plunging a sword into his breast, looking backwards defiantly while he supports the dying figure of a woman with his left arm. It is a Roman copy of the early 2nd century AD, of a Hellenistic original, ca 230-20 BC, one of the bronze groups commissioned from Greek sculptors by Attalus I after his recent victories over the Gauls of Galatia. Other Roman marble copies from the same project are the equally famous Dying Gaul, and the less well-known Kneeling Gaul (also uploaded on Scan the World)
The sculpture group made its first appearance in a Ludovisi inventory taken 2 February 1623, and was possibly found in the grounds of the Villa Ludovisi, Rome, shortly before that. The area had been part of the Gardens of Sallust in Classical times, and proved a rich source of Roman (and some Greek) sculpture through the 19th century (Haskell and Penny, 282). Among the last of the finds at Villa Ludovisi, before the area was built over, was the Ludovisi Throne.
The sculpture, now in the Museo Nazionale di Roma, Palazzo Altemps, Rome, was greatly admired from the 17th century. It appeared in engravings in the repertory of sculpture in Rome by Perrier[1] and was codified by Audran[2] as one of the sculptures of Antiquity that defined the canon of fine proportions of the human body. Nicolas Poussin adapted the figure for the group in the right foreground of his Rape of the Sabine Women, now at the Metropolitan Museum of Art (Friedlaender 19 and fig. 108). Visitors and writers of guidebooks found many subjects drawn from Roman history to account for the action: the 1633 Ludovisi inventory lists it as "a certain Marius who kills his daughter and himself",[3] drawing upon the story of a certain patrician Sextus Marius, who in seeking to protect his daughter from the lust of Tiberius, was accused of incest with her.
Giovanni Francesco Susini rendered the group in a small bronze. The marble was copied by François Lespingolafor Louis XIV and may still be seen paired with the Laocoön at the entrance to the Tapis Vert at Versailles; the cast prepared in preparation for the copy was retained at the French Academy in Rome (where it remains). The Ludovisi heirs prohibited further casts, but in 1816–19 Prince Luigi Boncompagni Ludovisi sent plaster casts to thePrince Regent; the Grand Duke of Tuscany, Prince Metternich; and the diplomat at the Congress of Vienna,Wilhelm von Humboldt (Haskell and Penny 284).
(source; wikipedia)

náhodný výběr modelů

Eve at The Petit Palais, Paris

Bearded Gorgon Kneeling at The Louvre, Paris

Henry George Lidell at The National Portrait Gallery, London

Meleager at The V&A, London

Two Faced Herma with Bacchus and Ariadne at The Réunion des Musées Nationaux, Paris

Three Standing Figures at Battersea Park, London

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART The Ludovisi Gaul Killing Himself and His Wife at The Palazzo Altemps, Rome velikost souboru - 48MB stáhnout soubor 3D vizualizace Title The Ludovisi Gaul Killing Himself and His Wife Artist Unknown Date Unknown, after Attalus I (?) Medium Marble Dimensions Unknown Accession # Unknown Credit Roman copy of an early Hellenistic original ca. 230-20 BC commissioned by Julius Caesar The Ludovisi Gaul Killing Himself and His Wife (sometimes called "The Galatian Suicide") is a Roman marble group depicting a man in the act of plunging a sword into his breast, looking backwards defiantly while he supports the dying figure of a woman with his left arm. It is a Roman copy of the early 2nd century AD, of a Hellenistic original, ca 230-20 BC, one of the bronze groups commissioned from Greek sculptors by Attalus I after his recent victories over the Gauls of Galatia. Other Roman marble copies from the same project are the equally famous Dying Gaul, and the less well-known Kneeling Gaul (also uploaded on Scan the World) The sculpture group made its first appearance in a Ludovisi inventory taken 2 February 1623, and was possibly found in the grounds of the Villa Ludovisi, Rome, shortly before that. The area had been part of the Gardens of Sallust in Classical times, and proved a rich source of Roman (and some Greek) sculpture through the 19th century (Haskell and Penny, 282). Among the last of the finds at Villa Ludovisi, before the area was built over, was the Ludovisi Throne. The sculpture, now in the Museo Nazionale di Roma, Palazzo Altemps, Rome, was greatly admired from the 17th century. It appeared in engravings in the repertory of sculpture in Rome by Perrier[1] and was codified by Audran[2] as one of the sculptures of Antiquity that defined the canon of fine proportions of the human body. Nicolas Poussin adapted the figure for the group in the right foreground of his Rape of the Sabine Women, now at the Metropolitan Museum of Art (Friedlaender 19 and fig. 108). Visitors and writers of guidebooks found many subjects drawn from Roman history to account for the action: the 1633 Ludovisi inventory lists it as "a certain Marius who kills his daughter and himself",[3] drawing upon the story of a certain patrician Sextus Marius, who in seeking to protect his daughter from the lust of Tiberius, was accused of incest with her. Giovanni Francesco Susini rendered the group in a small bronze. The marble was copied by François Lespingolafor Louis XIV and may still be seen paired with the Laocoön at the entrance to the Tapis Vert at Versailles; the cast prepared in preparation for the copy was retained at the French Academy in Rome (where it remains). The Ludovisi heirs prohibited further casts, but in 1816–19 Prince Luigi Boncompagni Ludovisi sent plaster casts to thePrince Regent; the Grand Duke of Tuscany, Prince Metternich; and the diplomat at the Congress of Vienna,Wilhelm von Humboldt (Haskell and Penny 284). (source; wikipedia) náhodný výběr modelů Eve at The Petit Palais, Paris Bearded Gorgon Kneeling at The Louvre, Paris Henry George Lidell at The National Portrait Gallery, London Meleager at The V&A, London Two Faced Herma with Bacchus and Ariadne at The Réunion des Musées Nationaux, Paris Three Standing Figures at Battersea Park, London
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