3D modely ART

Portrait of a Venetian patrician at The Louvre, Paris

velikost souboru - 35MB

stáhnout soubor 3D vizualizace

Title
Portrait of a Venetian patrician

Artist
Alessandro Vittoria (Trente, 1525 - Venice, 1608)

Date
Unknown

Medium
Terracotta

Dimensions
x

Accession #
R.F. 1701

Credit
Collection of Lord Caple Cure, ambassador of the UK in Venice in the XVIII Century. Given by Godefroy Brauer, 1920

Alessandro Vittoria (1525–1608) was an Italian Mannerist sculptor of the Venetian school, "one of the main representatives of the Venetian classical style" and rivalling Giambologna as the foremost sculptors of the late 16th century in Italy. Vittoria was born in the Italian city of Trent and was the son of a tailor. Vittoria was trained in the atelier of the architect-sculptor Jacopo Sansovino; he was a contemporary of Titian whose influence can be detected in his compositions. He was a virtuoso in terracotta, often presented with gilded surfaces, marble and bronze. Like all Italian sculptors of his generation, Vittoria was influenced also by Michelangelo and by the Florentine Mannerist, Bartolomeo Ammanati. The closeness of his associations in projects by architects Sansovino, Sanmicheli and Palladio, working with painters Titian, Tintoretto and Veronese placed him squarely among the protagonists of the Cinquecento art world in late 16th-century Venice. Vittoria was first trained in his native city,Trento, then moved to Venice, where his long artistic relationship with Sansovino was a stormy one. After one quarrel with Sansovino, he removed from Venice and worked in Vicenza, where he collaborated with Veronese on the decorations of the Villa Barbaro at Maser (1560–62) before returning. The two masters worked jointly on great sculptural commissions until Sansovino's death. Vittoria took up his studio and completed Sansovino's unfinished commissions. His pupils included Camillo Mariani and Andrea di Alessandro. He died at Venice in 1608. His tomb, with his self-portrait bust, is in the church ofSan Zaccaria.
Vittoria is known for his classicising portrait busts, a genre that scarcely existed in Venice before him, and for medals as well as for his full-length figures, some of which surmount Sansovino's Biblioteca Marciana.
(Credit; Wikipedia)

náhodný výběr modelů

Flayed Man at The Louvre, Paris

Man wearing a toga at The Royal Ontario Museum, Toronto

Marble statue of Pan at the Metropolitan Museum of Art, New York

Lion Wearing a Cavalier at the Guimet Museum, Paris

Berlioz at The Réunion des Musées Nationaux, Paris

Statue of a Woman at The British Museum, London

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Portrait of a Venetian patrician at The Louvre, Paris velikost souboru - 35MB stáhnout soubor 3D vizualizace Title Portrait of a Venetian patrician Artist Alessandro Vittoria (Trente, 1525 - Venice, 1608) Date Unknown Medium Terracotta Dimensions x Accession # R.F. 1701 Credit Collection of Lord Caple Cure, ambassador of the UK in Venice in the XVIII Century. Given by Godefroy Brauer, 1920 Alessandro Vittoria (1525–1608) was an Italian Mannerist sculptor of the Venetian school, "one of the main representatives of the Venetian classical style" and rivalling Giambologna as the foremost sculptors of the late 16th century in Italy. Vittoria was born in the Italian city of Trent and was the son of a tailor. Vittoria was trained in the atelier of the architect-sculptor Jacopo Sansovino; he was a contemporary of Titian whose influence can be detected in his compositions. He was a virtuoso in terracotta, often presented with gilded surfaces, marble and bronze. Like all Italian sculptors of his generation, Vittoria was influenced also by Michelangelo and by the Florentine Mannerist, Bartolomeo Ammanati. The closeness of his associations in projects by architects Sansovino, Sanmicheli and Palladio, working with painters Titian, Tintoretto and Veronese placed him squarely among the protagonists of the Cinquecento art world in late 16th-century Venice. Vittoria was first trained in his native city,Trento, then moved to Venice, where his long artistic relationship with Sansovino was a stormy one. After one quarrel with Sansovino, he removed from Venice and worked in Vicenza, where he collaborated with Veronese on the decorations of the Villa Barbaro at Maser (1560–62) before returning. The two masters worked jointly on great sculptural commissions until Sansovino's death. Vittoria took up his studio and completed Sansovino's unfinished commissions. His pupils included Camillo Mariani and Andrea di Alessandro. He died at Venice in 1608. His tomb, with his self-portrait bust, is in the church ofSan Zaccaria. Vittoria is known for his classicising portrait busts, a genre that scarcely existed in Venice before him, and for medals as well as for his full-length figures, some of which surmount Sansovino's Biblioteca Marciana. (Credit; Wikipedia) náhodný výběr modelů Flayed Man at The Louvre, Paris Man wearing a toga at The Royal Ontario Museum, Toronto Marble statue of Pan at the Metropolitan Museum of Art, New York Lion Wearing a Cavalier at the Guimet Museum, Paris Berlioz at The Réunion des Musées Nationaux, Paris Statue of a Woman at The British Museum, London
©Ofrii 2012