3D modely ART

Bull at The Middelheim Museum, Antwerp

velikost souboru - 24MB

stáhnout soubor 3D vizualizace

Title
Bull

Artist
Vojin Bakic

Date
1955

Medium
Bronze

Dimensions
X

Accession#
X

Credit
Placed at the Middelheim Museum

"Vojin Bakić (5 June 1915 in Bjelovar – 18 December 1992) was a prominent Yugoslav sculptor of Serbian descent. Bakić was an important figure, particularly in the 50’s and 60’s Croatian contemporary art scene, and collaborated with the group EXAT-51 and the Nove tendencije (New Tendencies) movement. He executed many public sculptures.
After 1945 he gravitated towards the impressionistic treatment of the surface. This period is primarily marked by his portraits ofIvan Goran Kovačić (1946) and Silvije Strahimir Kranjčević (1948). During the 1950s Bakić reduced the volume of his sculptures by the use of sharp fractures as edges, and later by merging the details of the sculptural mass (Self-portrait, 1952 and sketch for the Marx and Engels Monument, 1950–1953). During that time, he made an entire series of bull sculptures in various dimensions (Bull, 1950, 1956). With the series entitled Nudes, Torsos and Heads he completed his focus on organic, associative shapes, and from 1958 he turned towards the challenge of open forms, inner spaces and light reflections. Further professional development made him the first artist in a local context to follow the principles of geometric abstraction and to start the study of optic effects. By alternating concave and convex surfaces, he made “light shapes” which were close to constructivist poetics. In Elaborated Surfaces (1960–1964) he articulated strict and consistent units made of lined-up elements, whereas in Light-bearing Shapes(1963–1964) he created effective structures by means of modulating identical mirror units, for which he also used new materials, such as stainless steel."
(Credit; Wikipedia)

náhodný výběr modelů

Vittoria Colonna at The Palais des Beaux-Arts in Lille, France

Totem To The Artist at Tate Britain, London

Untitled (Hawk) in Lille, France

Female Portrait at The State Hermitage Museum, St Petersburg

Head of a Priest at The Louvre, Paris

Vase Funéraire at the Louvre, Paris, France

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Bull at The Middelheim Museum, Antwerp velikost souboru - 24MB stáhnout soubor 3D vizualizace Title Bull Artist Vojin Bakic Date 1955 Medium Bronze Dimensions X Accession# X Credit Placed at the Middelheim Museum "Vojin Bakić (5 June 1915 in Bjelovar – 18 December 1992) was a prominent Yugoslav sculptor of Serbian descent. Bakić was an important figure, particularly in the 50’s and 60’s Croatian contemporary art scene, and collaborated with the group EXAT-51 and the Nove tendencije (New Tendencies) movement. He executed many public sculptures. After 1945 he gravitated towards the impressionistic treatment of the surface. This period is primarily marked by his portraits ofIvan Goran Kovačić (1946) and Silvije Strahimir Kranjčević (1948). During the 1950s Bakić reduced the volume of his sculptures by the use of sharp fractures as edges, and later by merging the details of the sculptural mass (Self-portrait, 1952 and sketch for the Marx and Engels Monument, 1950–1953). During that time, he made an entire series of bull sculptures in various dimensions (Bull, 1950, 1956). With the series entitled Nudes, Torsos and Heads he completed his focus on organic, associative shapes, and from 1958 he turned towards the challenge of open forms, inner spaces and light reflections. Further professional development made him the first artist in a local context to follow the principles of geometric abstraction and to start the study of optic effects. By alternating concave and convex surfaces, he made “light shapes” which were close to constructivist poetics. In Elaborated Surfaces (1960–1964) he articulated strict and consistent units made of lined-up elements, whereas in Light-bearing Shapes(1963–1964) he created effective structures by means of modulating identical mirror units, for which he also used new materials, such as stainless steel." (Credit; Wikipedia) náhodný výběr modelů Vittoria Colonna at The Palais des Beaux-Arts in Lille, France Totem To The Artist at Tate Britain, London Untitled (Hawk) in Lille, France Female Portrait at The State Hermitage Museum, St Petersburg Head of a Priest at The Louvre, Paris Vase Funéraire at the Louvre, Paris, France
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