3D modely ART

Henan Budai Buddha, British Museum

velikost souboru - 24MB

stáhnout soubor 3D vizualizace

The fat, smiling monk udai is a popular figure in Chinese Buddhism. His character is an accumulation for several Chinese legends. Sculptures of Budai are frequently placed in the entrance halls to temples and monasteries, surrounded by the Good and Bad Boys. These two appear as officials or judges, recorders of a person's good and evil deeds during life, who decide whether to send a person to heaven or hell.
This Budai is glazed in the sancai (three colours) palette developed in the Tang dynasty, and which re-appeared in the Mind. An inscription on the left side dates it to 1486, the twentieth year in the reign of Cheghua. While many large, popular fgures like this were commissioned for religious reasons, the majority of imperial Chenghua ceramics were delicately formed and coloured porcelains.

náhodný výběr modelů

Bust of Hercules at The MET, New York

Margaret of Anjou at the Jardin du Luxembourg, Paris

Le Pouce (The Thumb) in La Defense, Paris

Bryan Waller Procter bust at The National Portrait Gallery, London

Archer in Lausanne, Switzerland

Nagaraja or Serpent King at The Guimet Museum, Paris

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Henan Budai Buddha, British Museum velikost souboru - 24MB stáhnout soubor 3D vizualizace The fat, smiling monk udai is a popular figure in Chinese Buddhism. His character is an accumulation for several Chinese legends. Sculptures of Budai are frequently placed in the entrance halls to temples and monasteries, surrounded by the Good and Bad Boys. These two appear as officials or judges, recorders of a person's good and evil deeds during life, who decide whether to send a person to heaven or hell. This Budai is glazed in the sancai (three colours) palette developed in the Tang dynasty, and which re-appeared in the Mind. An inscription on the left side dates it to 1486, the twentieth year in the reign of Cheghua. While many large, popular fgures like this were commissioned for religious reasons, the majority of imperial Chenghua ceramics were delicately formed and coloured porcelains. náhodný výběr modelů Bust of Hercules at The MET, New York Margaret of Anjou at the Jardin du Luxembourg, Paris Le Pouce (The Thumb) in La Defense, Paris Bryan Waller Procter bust at The National Portrait Gallery, London Archer in Lausanne, Switzerland Nagaraja or Serpent King at The Guimet Museum, Paris
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