3D modely ART

The Great Departure and Temptation of the Buddha at The Metropolitan Museum of Art, New York

velikost souboru - 27MB

stáhnout soubor 3D vizualizace

This large limestone panel depicts two scenes from the life of the Buddha. The lower scene shows the moment when Siddhartha, the Buddha-to-be, secretly leaves his father's palace in the middle of the night. Four dwarfs hold up his horse's hooves so that he can depart silently. The upper scene represents the temptation of Siddhartha by Mara's daughters (seen to Siddhartha's right) and the assault by Mara's armies on the night in which he became a buddha.
This panel once clad a large stupa, a hemispherical burial mound that held important relics, at the site of Nagarjunakonda in southeastern India. Patronized by the ruling Ikshvakus, Nagarjunakonda housed both Hindu establishments that were supported by male members of the family and Buddhist ones sustained by their wives and daughters. The animated imagery and the elegantly corpulent bodies are typical of the art of Nagarjunakonda. The spatially intricate scenes from this region were probably inspired by influences from Rome, with which the region had contact via coastal ports.

náhodný výběr modelů

Buddha (Fragment of a Stele) at the Metropolitan Museum of Art, New York

Athena at The Louvre, Paris

Sphinx at Cleopatra's Needle, Embankment, London

George Coșbuc in Arad, Romania

Brutus and Seneca at The Réunion des Musées Nationaux, Paris

Queen Victoria, Reading, England

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART The Great Departure and Temptation of the Buddha at The Metropolitan Museum of Art, New York velikost souboru - 27MB stáhnout soubor 3D vizualizace This large limestone panel depicts two scenes from the life of the Buddha. The lower scene shows the moment when Siddhartha, the Buddha-to-be, secretly leaves his father's palace in the middle of the night. Four dwarfs hold up his horse's hooves so that he can depart silently. The upper scene represents the temptation of Siddhartha by Mara's daughters (seen to Siddhartha's right) and the assault by Mara's armies on the night in which he became a buddha. This panel once clad a large stupa, a hemispherical burial mound that held important relics, at the site of Nagarjunakonda in southeastern India. Patronized by the ruling Ikshvakus, Nagarjunakonda housed both Hindu establishments that were supported by male members of the family and Buddhist ones sustained by their wives and daughters. The animated imagery and the elegantly corpulent bodies are typical of the art of Nagarjunakonda. The spatially intricate scenes from this region were probably inspired by influences from Rome, with which the region had contact via coastal ports. náhodný výběr modelů Buddha (Fragment of a Stele) at the Metropolitan Museum of Art, New York Athena at The Louvre, Paris Sphinx at Cleopatra's Needle, Embankment, London George Coșbuc in Arad, Romania Brutus and Seneca at The Réunion des Musées Nationaux, Paris Queen Victoria, Reading, England
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