3D modely ART

Gwan, Female Statue at Quai Branly, Paris

velikost souboru - 39MB

stáhnout soubor 3D vizualizace

In traditional African societies, a childless marriage is a grave problem that has serious repercussions on the relationships between wife, husband, and in-laws and on the village as a whole. Further, childlessness seems to be the wife's problem to resolve. According to Kate Ezra (1986), women with fertility and child-bearing problems in Bamana society affiliate with Gwan, an association that is especially concerned with such problems. Women who avail themselves of its ministrations and who succeed in bearing children make extra sacrifices to Gwan, dedicate their children to it, and name them after the sculptures associated with the association.Gwan sculptures occur in groups and are normally enshrined. An ensemble includes a mother-and-child figure unlike this one, the father, and several other male and female figures. They are considered to be extremely beautiful, that is, "things that can be looked at without limit" (ibid., 2.2.), because they achieve the Bamana standard for sculpture: they illustrate ideals of physical beauty and ideals of character and action. The figures are brought out of the shrine to appear in annual public ceremonies. At such times, the figures are washed and oiled and then dressed in loincloths, head ties, and beads, all of which are contributed by the women of the village.Sculptures depicting a seated female figure clasping an infant to her torso are called Gwandusu. The name implies such ideal attributes as "extraordinary strength, ardent courage, intense passion and conviction as well as the ability to accomplish great deeds" (ibid., 30).This figure has not been scientifically dated. However, a seated female figure in the Metropolitan Museum of Art that is stylistically and iconographically similar dates at least from the seventeenth century.

náhodný výběr modelů

Vessel with Head emerging from serpent jaws at The British Museum, London

Exotic group of Leda and the Swan at The British Museum, London

Lectern at The V&A, London

Marble head from a herm at The Metropolitan Museum of Art, New York

The Shade at The Musée Rodin, Paris

Mihai Eminescu in Lugoj, Romania

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Gwan, Female Statue at Quai Branly, Paris velikost souboru - 39MB stáhnout soubor 3D vizualizace In traditional African societies, a childless marriage is a grave problem that has serious repercussions on the relationships between wife, husband, and in-laws and on the village as a whole. Further, childlessness seems to be the wife's problem to resolve. According to Kate Ezra (1986), women with fertility and child-bearing problems in Bamana society affiliate with Gwan, an association that is especially concerned with such problems. Women who avail themselves of its ministrations and who succeed in bearing children make extra sacrifices to Gwan, dedicate their children to it, and name them after the sculptures associated with the association.Gwan sculptures occur in groups and are normally enshrined. An ensemble includes a mother-and-child figure unlike this one, the father, and several other male and female figures. They are considered to be extremely beautiful, that is, "things that can be looked at without limit" (ibid., 2.2.), because they achieve the Bamana standard for sculpture: they illustrate ideals of physical beauty and ideals of character and action. The figures are brought out of the shrine to appear in annual public ceremonies. At such times, the figures are washed and oiled and then dressed in loincloths, head ties, and beads, all of which are contributed by the women of the village.Sculptures depicting a seated female figure clasping an infant to her torso are called Gwandusu. The name implies such ideal attributes as "extraordinary strength, ardent courage, intense passion and conviction as well as the ability to accomplish great deeds" (ibid., 30).This figure has not been scientifically dated. However, a seated female figure in the Metropolitan Museum of Art that is stylistically and iconographically similar dates at least from the seventeenth century. náhodný výběr modelů Vessel with Head emerging from serpent jaws at The British Museum, London Exotic group of Leda and the Swan at The British Museum, London Lectern at The V&A, London Marble head from a herm at The Metropolitan Museum of Art, New York The Shade at The Musée Rodin, Paris Mihai Eminescu in Lugoj, Romania
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