3D modely ART

Absolution at Tate Britain, London

velikost souboru - 25MB

stáhnout soubor 3D vizualizace

Title
Absolution (Absolutie)

Artist
Bram Bogart

Date
1959

Medium
Cement, oil paint and canvas on board

Dimensions
Support: 2410 x 1708 x 61 mm

Accession #
T14204

Credit
Presented anonymously in honour of the artist Bram Bogart, 2014

This highly textured black monochrome marks Bogart’s shift into pure abstraction, and his developing concern with the material surface of the painting. It was made in the year that Bogart left Paris for Rome, ultimately settling in Brussels. Around this time he also stopped using an easel and began working on the floor. ‘Making a painting in one colour, either white, black or brown, evoked a kind of tranquility in me’, he commented. However, he went on to say, ‘When making a painting in one colour – monochrome in other words – I want the field of tension to be retained’.
(source, Tate Britain)

náhodný výběr modelů

Maurice Richard at the Jacques Cartier Park in Quebec, Canada

Bronze Toad at The British Museum, London

Red Granite Figure of Roy at The British Museum, London

Monument in Montparnasse, Paris

Funerary Post 2 at Quai Branly, Paris

Laura de Noves at The Jardin du Luxembourg, Paris

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Absolution at Tate Britain, London velikost souboru - 25MB stáhnout soubor 3D vizualizace Title Absolution (Absolutie) Artist Bram Bogart Date 1959 Medium Cement, oil paint and canvas on board Dimensions Support: 2410 x 1708 x 61 mm Accession # T14204 Credit Presented anonymously in honour of the artist Bram Bogart, 2014 This highly textured black monochrome marks Bogart’s shift into pure abstraction, and his developing concern with the material surface of the painting. It was made in the year that Bogart left Paris for Rome, ultimately settling in Brussels. Around this time he also stopped using an easel and began working on the floor. ‘Making a painting in one colour, either white, black or brown, evoked a kind of tranquility in me’, he commented. However, he went on to say, ‘When making a painting in one colour – monochrome in other words – I want the field of tension to be retained’. (source, Tate Britain) náhodný výběr modelů Maurice Richard at the Jacques Cartier Park in Quebec, Canada Bronze Toad at The British Museum, London Red Granite Figure of Roy at The British Museum, London Monument in Montparnasse, Paris Funerary Post 2 at Quai Branly, Paris Laura de Noves at The Jardin du Luxembourg, Paris
©Ofrii 2012