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Seated pottery figure at The British Museum, London

velikost souboru - 18MB

stáhnout soubor 3D vizualizace

Title
Seated pottery figure

Artist
Unknown

Date
From Olmec, 1200-400 BC

Medium
Kaolin clay

Dimensions
x

Accession #
Ethno. 1981 Am 27.1

Credit
Given by the Trustees of the Wellcome Historical Medical Museum

Olmec figurines depict people of all ages. They reflect a fascination with the human life-cycle, especially the transformation of a new-born child from a 'wild' state towards becoming fully adult.
The use of fine white kaolin clay imbues this figure with a plastic, life-like quality and traces of a vivid red pigment are still visible (on the original).
This article on the Olmec figurine describes a number ofarchetypical figurines produced by the Formative Period inhabitants of Mesoamerica. While many of these figurines may or may not have been produced directly by the people of the Olmec heartland, they bear the hallmarks and motifs of Olmec culture. While the extent of Olmec control over the areas beyond their heartland is not yet known, Formative Period figurines with Olmec motifs were widespread in the centuries from 1000 to 500 BCE, showing a consistency of style and subject throughout nearly all of Mesoamerica.
These figurines are usually found in household refuse, in ancient construction fill, and (outside the Olmec heartland) in graves, although many Olmec-style figurines, particularly those labelled as Las Bocas- or Xochipala-style, were recovered by looters and are therefore without provenance.
The vast majority of figurines are simple in design, often nude or with a minimum of clothing, and made of local terracotta. Most of these recoveries are mere fragments: a head, arm, torso, or a leg. It is thought, based on wooden busts recovered from the water-logged El Manati site, that figurines were also carved from wood, but, if so, none have survived.
More durable and better known by the general public are those figurines carved, usually with a degree of skill, from jade, serpentine, greenstone, basalt, and other minerals and stones.

náhodný výběr modelů

Cycladic Vessel at The British Museum, London

Gardener of The City in Lisbon, Portugal

Buddha Protected by the Naga at The Guimet Museum, Paris

Wladyslaw Reymont in Lodz, Poland

Solidarity at The Fine Arts Museum of Ghent, Belgium

Brutus The Younger at The Réunion des Musées Nationaux, Paris

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Seated pottery figure at The British Museum, London velikost souboru - 18MB stáhnout soubor 3D vizualizace Title Seated pottery figure Artist Unknown Date From Olmec, 1200-400 BC Medium Kaolin clay Dimensions x Accession # Ethno. 1981 Am 27.1 Credit Given by the Trustees of the Wellcome Historical Medical Museum Olmec figurines depict people of all ages. They reflect a fascination with the human life-cycle, especially the transformation of a new-born child from a 'wild' state towards becoming fully adult. The use of fine white kaolin clay imbues this figure with a plastic, life-like quality and traces of a vivid red pigment are still visible (on the original). This article on the Olmec figurine describes a number ofarchetypical figurines produced by the Formative Period inhabitants of Mesoamerica. While many of these figurines may or may not have been produced directly by the people of the Olmec heartland, they bear the hallmarks and motifs of Olmec culture. While the extent of Olmec control over the areas beyond their heartland is not yet known, Formative Period figurines with Olmec motifs were widespread in the centuries from 1000 to 500 BCE, showing a consistency of style and subject throughout nearly all of Mesoamerica. These figurines are usually found in household refuse, in ancient construction fill, and (outside the Olmec heartland) in graves, although many Olmec-style figurines, particularly those labelled as Las Bocas- or Xochipala-style, were recovered by looters and are therefore without provenance. The vast majority of figurines are simple in design, often nude or with a minimum of clothing, and made of local terracotta. Most of these recoveries are mere fragments: a head, arm, torso, or a leg. It is thought, based on wooden busts recovered from the water-logged El Manati site, that figurines were also carved from wood, but, if so, none have survived. More durable and better known by the general public are those figurines carved, usually with a degree of skill, from jade, serpentine, greenstone, basalt, and other minerals and stones. náhodný výběr modelů Cycladic Vessel at The British Museum, London Gardener of The City in Lisbon, Portugal Buddha Protected by the Naga at The Guimet Museum, Paris Wladyslaw Reymont in Lodz, Poland Solidarity at The Fine Arts Museum of Ghent, Belgium Brutus The Younger at The Réunion des Musées Nationaux, Paris
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