3D modely ART

The Falling Man at The Musée Rodin, Paris

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stáhnout soubor 3D vizualizace

'The Falling Man' is included in 'The Gates of Hell', where he rather appears as a 'Climbing Man', attached to the lintel and the top of the left door. If Rodin actually planned this element to be fixed both to the left wing and the box-like tympanum above it, it would have been impossible to open the door. For this reason, Elsen assumes Rodin positioned this overlapping figure there only around 1886, after he realised the planned Museum of Decorative Arts would be not constructed and his 'Gates' would never serve as a proper doorway.
Audeh points to a formal similarity of 'The Falling Man' with Josef Anton Koch's representation of Inferno at the Casino Massimo in Rome. Although it could not be verified if Rodin actually was familiar with Koch's work, Audeh suggests Rodin's 'Falling Man' was derived from Dante's account about the Barrators (Traitors in Public Office) caught in a pitch a boiling tar, harrassed by devils with taloned forks, desperately trying to escape their torment.

The 'Falling Man' is repeated in the group 'I Am Beautiful', now holding the 'Crouching Woman' in his arms. Edmond de Goncourt described this female figure as: "a faunesse contracted with her legs gathered in the astonishing compactness of a frog ready to leap".

náhodný výběr modelů

Portrait of a Man at The Louvre, Paris

Sheldonian Bust in Oxford, UK

Sarcophagus at The Ny Carlsberg Glyptotek, Copenhagen

Head for Yam Ceremony at The Metropolitan Museum of Art, New York

Mercury at The V&A, London

Bust of Voltaire at The Réunion des Musées Nationaux, Paris

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART The Falling Man at The Musée Rodin, Paris velikost souboru - 15MB stáhnout soubor 3D vizualizace 'The Falling Man' is included in 'The Gates of Hell', where he rather appears as a 'Climbing Man', attached to the lintel and the top of the left door. If Rodin actually planned this element to be fixed both to the left wing and the box-like tympanum above it, it would have been impossible to open the door. For this reason, Elsen assumes Rodin positioned this overlapping figure there only around 1886, after he realised the planned Museum of Decorative Arts would be not constructed and his 'Gates' would never serve as a proper doorway. Audeh points to a formal similarity of 'The Falling Man' with Josef Anton Koch's representation of Inferno at the Casino Massimo in Rome. Although it could not be verified if Rodin actually was familiar with Koch's work, Audeh suggests Rodin's 'Falling Man' was derived from Dante's account about the Barrators (Traitors in Public Office) caught in a pitch a boiling tar, harrassed by devils with taloned forks, desperately trying to escape their torment. The 'Falling Man' is repeated in the group 'I Am Beautiful', now holding the 'Crouching Woman' in his arms. Edmond de Goncourt described this female figure as: "a faunesse contracted with her legs gathered in the astonishing compactness of a frog ready to leap". náhodný výběr modelů Portrait of a Man at The Louvre, Paris Sheldonian Bust in Oxford, UK Sarcophagus at The Ny Carlsberg Glyptotek, Copenhagen Head for Yam Ceremony at The Metropolitan Museum of Art, New York Mercury at The V&A, London Bust of Voltaire at The Réunion des Musées Nationaux, Paris
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