3D modely ART

Valor and Cowardice at The V&A, London

velikost souboru - 23MB

stáhnout soubor 3D vizualizace

This is a full-size model for one of the groups on the bronze monument to the Duke of Wellington in St Paul's Cathedral - a work that occupied much of Steven's career and was only completed in 1912. Here Valour crushes Cowardice, while another group (also uploaded on Scan The World) shows Truth silencing Falsehood. After a long selection process, the little-known sculptor Alfred Stevens was awarded the commission to produce a monument to the Duke of Wellington. He had already produced a reduced version of his intended monument as his competition model in 1857. This model is also in the Museum's collections (Museum no. 44-1878). This group and its companion depicting Truth and Falsehood (Museum no. 321A-1878) are full-size models for the bronze groups featured on the Wellington monument in St Paul's Cathedral. They were not completed by Stevens until 1866. In this work the draped female figure of Valour triumphantly crushes the struggling figure of Cowardice beneath a shield.
The entire monument comprised of a triumphal arch with the bier and recumbent effigy of Wellington. The colossal figures of Truth and Falsehood and Valour and Cowardice were placed at either side. The monument was not completed until 1912, almost 40 years after the death of the sculptor.
A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.
This model is a plaster cast of an original by Alfred Stevens (1817-75).

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home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Valor and Cowardice at The V&A, London velikost souboru - 23MB stáhnout soubor 3D vizualizace This is a full-size model for one of the groups on the bronze monument to the Duke of Wellington in St Paul's Cathedral - a work that occupied much of Steven's career and was only completed in 1912. Here Valour crushes Cowardice, while another group (also uploaded on Scan The World) shows Truth silencing Falsehood. After a long selection process, the little-known sculptor Alfred Stevens was awarded the commission to produce a monument to the Duke of Wellington. He had already produced a reduced version of his intended monument as his competition model in 1857. This model is also in the Museum's collections (Museum no. 44-1878). This group and its companion depicting Truth and Falsehood (Museum no. 321A-1878) are full-size models for the bronze groups featured on the Wellington monument in St Paul's Cathedral. They were not completed by Stevens until 1866. In this work the draped female figure of Valour triumphantly crushes the struggling figure of Cowardice beneath a shield. The entire monument comprised of a triumphal arch with the bier and recumbent effigy of Wellington. The colossal figures of Truth and Falsehood and Valour and Cowardice were placed at either side. The monument was not completed until 1912, almost 40 years after the death of the sculptor. A sculptor, designer and painter, Alfred Stevens (1817/18-1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement. The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument. This model is a plaster cast of an original by Alfred Stevens (1817-75). náhodný výběr modelů Statue of a woman at Jardin des Tuileries, Paris, France Hermes in Warandepark, Brussels Hopi Man at The Museum of Fine art in San Francisco, USA Standing Bodhisattva at The Guimet Museum, Paris Nelson's Column at Trafalgar Square, London Pegasus at the Boboli Gardens in Florence, Italy
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