3D modely ART

Wounded Amazon at The Metropolitan Museum of Art, New York

velikost souboru - 67MB

stáhnout soubor 3D vizualizace

Title
Statue of a Wounded Amazon

Artist
Unknown Roman sculptor

Date
1st-2nd century A.D., copy of a Greek bronze statue, ca. 450-425 B.C.

Medium
Marble (Pentelic)

Dimensions
H. 80 1/4 in. (203.84 cm)

Accession #
Gift of John D. Rockerfeller, Jr., 1932

Credit
32.11.4

The Amazons were a mythical race of warrior women renowned for their skills in archery and horsemanship. This marble statue depicting a wounded Amazon is a Roman copy of a Greek bronze original dated around 450–425 B.C. The original bronze may have stood in the sanctuary of Artemis at Ephesus on the coast of Asia Minor, where the Amazons had legendary and cultic connections with the goddess.
Here, the mythical warrior woman has been stripped of her weapons and horse, and wounded under her right breast. She wears a short, sleeveless chiton unfastened at one shoulder and belted at the waist with a makeshift bit of bridle from her horse. The garment is known as an exomis, the type of clothing worn by Greek men for exercise, horse riding, or hard labor. Despite her plight, this Amazon shows no sign of pain or fatigue. She gently leans on the pillar at her left and rests her right arm gracefully on her head in a gesture often used to denote sleep or death. The serenity of her pose and the emotional restraint in her facial expression are characteristic of Classical sculpture of the second half of the fifth century B.C.
The Roman writer Pliny the Younger describes a competition held in the mid-fifth century B.C. between five famous sculptors, including Pheidias, Polykleitos, and Kresilas, who were to make a statue of an Amazon for the temple of Artemis. This type of statue, which is reproduced in other marble copies, is generally associated with that contest.
Of this marble copy, the lower legs and feet have been restored with plaster casts taken from other marble copies of this type in Berlin and Copenhagen. Most of the right, the lower end of the left forearm, the lower part of the pillar, and the plinth are eighteenth-century marble restorations. However, the sharply carved facial features and the crisply carved curls indicate a faithful rendering of the bronze original.
(source, metropolitan museum of art)

náhodný výběr modelů

La Providence at the Louvre, Paris, France

Companion of Diana III at the Louvre, Paris, France

Louis XV as Jupiter at The Louvre, Paris

Minerva at The British Museum, London

Jeanne Maillotte, Lille, France

Bodhisattva Lokesvara at Guimet Museum, Paris

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Wounded Amazon at The Metropolitan Museum of Art, New York velikost souboru - 67MB stáhnout soubor 3D vizualizace Title Statue of a Wounded Amazon Artist Unknown Roman sculptor Date 1st-2nd century A.D., copy of a Greek bronze statue, ca. 450-425 B.C. Medium Marble (Pentelic) Dimensions H. 80 1/4 in. (203.84 cm) Accession # Gift of John D. Rockerfeller, Jr., 1932 Credit 32.11.4 The Amazons were a mythical race of warrior women renowned for their skills in archery and horsemanship. This marble statue depicting a wounded Amazon is a Roman copy of a Greek bronze original dated around 450–425 B.C. The original bronze may have stood in the sanctuary of Artemis at Ephesus on the coast of Asia Minor, where the Amazons had legendary and cultic connections with the goddess. Here, the mythical warrior woman has been stripped of her weapons and horse, and wounded under her right breast. She wears a short, sleeveless chiton unfastened at one shoulder and belted at the waist with a makeshift bit of bridle from her horse. The garment is known as an exomis, the type of clothing worn by Greek men for exercise, horse riding, or hard labor. Despite her plight, this Amazon shows no sign of pain or fatigue. She gently leans on the pillar at her left and rests her right arm gracefully on her head in a gesture often used to denote sleep or death. The serenity of her pose and the emotional restraint in her facial expression are characteristic of Classical sculpture of the second half of the fifth century B.C. The Roman writer Pliny the Younger describes a competition held in the mid-fifth century B.C. between five famous sculptors, including Pheidias, Polykleitos, and Kresilas, who were to make a statue of an Amazon for the temple of Artemis. This type of statue, which is reproduced in other marble copies, is generally associated with that contest. Of this marble copy, the lower legs and feet have been restored with plaster casts taken from other marble copies of this type in Berlin and Copenhagen. Most of the right, the lower end of the left forearm, the lower part of the pillar, and the plinth are eighteenth-century marble restorations. However, the sharply carved facial features and the crisply carved curls indicate a faithful rendering of the bronze original. (source, metropolitan museum of art) náhodný výběr modelů La Providence at the Louvre, Paris, France Companion of Diana III at the Louvre, Paris, France Louis XV as Jupiter at The Louvre, Paris Minerva at The British Museum, London Jeanne Maillotte, Lille, France Bodhisattva Lokesvara at Guimet Museum, Paris
©Ofrii 2012