3D modely ART

Belvedere Antinous at The Palace of Versailles, France

velikost souboru - 26MB

stáhnout soubor 3D vizualizace

This is a sculpture titled the Belvedere Antinous, a bronze statue made around 1684-1685 by Balthasar Keller ( 1638 - 1702), created from an original marble masterpiece. The Paris Musée Central des Arts in 1800 described the antique marble known as the Belvedere Antinous as ‘one of the most perfect statues that has come down to us from antiquity’. The statue had been ceded by treaty to the French in 1797 and arrived in Paris in 1798 in a triumphal procession. At the end of the Napoleonic Wars it was removed and arrived back in Rome in January 1816.
Antinous was a name given to figures of male youths and as early as 1545 the statue was known by this title. It became one of the most famous sights to be seen in Rome and was often drawn by visiting artists. It was popular with both collectors and connoisseurs as well as with sculptors. Bernini, Duguesnoy and Poussin all studied it, as did Hogarth later in the 18th century who claimed that in regard to the utmost ‘beauty of proportion’ it ‘is allowed to be the most perfect..... of any of the antique statues’. During the 18th century the Antinous was reproduced from the original in a variety of different sizes and materials with both arms complete.

náhodný výběr modelů

Nereid in The British Museum, London

Funerary Spirit from the tomb of Philippe Chabot at The Louvre, Paris

Mankind at The V&A, London

Pierre Puget at The Louvre, Paris

The Mummy of Tahathor at The Ipswich Museum, Ipswich

Monte Cassino in Warsaw, Poland

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Belvedere Antinous at The Palace of Versailles, France velikost souboru - 26MB stáhnout soubor 3D vizualizace This is a sculpture titled the Belvedere Antinous, a bronze statue made around 1684-1685 by Balthasar Keller ( 1638 - 1702), created from an original marble masterpiece. The Paris Musée Central des Arts in 1800 described the antique marble known as the Belvedere Antinous as ‘one of the most perfect statues that has come down to us from antiquity’. The statue had been ceded by treaty to the French in 1797 and arrived in Paris in 1798 in a triumphal procession. At the end of the Napoleonic Wars it was removed and arrived back in Rome in January 1816. Antinous was a name given to figures of male youths and as early as 1545 the statue was known by this title. It became one of the most famous sights to be seen in Rome and was often drawn by visiting artists. It was popular with both collectors and connoisseurs as well as with sculptors. Bernini, Duguesnoy and Poussin all studied it, as did Hogarth later in the 18th century who claimed that in regard to the utmost ‘beauty of proportion’ it ‘is allowed to be the most perfect..... of any of the antique statues’. During the 18th century the Antinous was reproduced from the original in a variety of different sizes and materials with both arms complete. náhodný výběr modelů Nereid in The British Museum, London Funerary Spirit from the tomb of Philippe Chabot at The Louvre, Paris Mankind at The V&A, London Pierre Puget at The Louvre, Paris The Mummy of Tahathor at The Ipswich Museum, Ipswich Monte Cassino in Warsaw, Poland
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