3D modely ART

Portrait bust of Emperor Domitian at The Metropolitan Museum of Art, New York

velikost souboru - 35MB

stáhnout soubor 3D vizualizace

Title
Portrait Bust of the Emperor Domitian

Artist
Unknown

Date
Roman, ca. A.D. 90

Medium
Marble

Dimensions
Unknown

Accession #
L.2015.40

Credit
On load from The Toledo Museum of Art

Domitian (r. A.D. 81-96), the third and final member of the Flavian dynasty of Roman emperors, was the younger son of Vespasian (r. A.D. 69-79) and brother of Titus (r. A.D. 78-81). Unlike his father and his brother, he was not regarded as a popular ruler and suffered damnatio memoriae [a] after his assassination. Nevertheless, several marble portraits of Domitian survive- the present example is one of the finest. This realistic portrait of him at about age forty expresses something of the absolute power that Domitian wielded over the entire Roman world, but it also depicts personal characteristics- notably, he wears a wig that concealed his baldness in later life.
Despite hostile accounts of his reign written by senatorial authors such as Tacitus and Suetonius in the early second century A.D., he was a competent administrator, economist and military leader. He lead successful campaigns in defense of the Rhine and the Danube frontiers, and his troops also saw action on other fronts, from Scotland in the north to Azerbaijan in the east. He did much to rebuild Rome after the disastrous fire of A.D. 64 and completed the construction of the Flavian amphitheater, better known as the Colosseum.
According to Suetonius, Domitian was the first emperor to assume the titles dominus et deus (lord and divinity) and to insist on subservience from senators, officials, and citizens alike. It was his self-aggrandizement and authoritarianism that not only earned him his reputation for greed, debauchery, and cruelty but also led ultimately to his death at the hands of his own courtiers.
(source; metropolitan museum of art)

náhodný výběr modelů

Benczúr Gyula Bust in Szeged, Hungary

Seated Figure, Mexico The Sainbury Centre for Visual Arts, UEA, Norwich

Stone Rattlesnake at The British Museum, London

Colossal Granite Fist at The British Museum, London

Miron Cristea in Caransebes, Romania

Monument to Jan Frans Willems in Ghent, Belgium

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Portrait bust of Emperor Domitian at The Metropolitan Museum of Art, New York velikost souboru - 35MB stáhnout soubor 3D vizualizace Title Portrait Bust of the Emperor Domitian Artist Unknown Date Roman, ca. A.D. 90 Medium Marble Dimensions Unknown Accession # L.2015.40 Credit On load from The Toledo Museum of Art Domitian (r. A.D. 81-96), the third and final member of the Flavian dynasty of Roman emperors, was the younger son of Vespasian (r. A.D. 69-79) and brother of Titus (r. A.D. 78-81). Unlike his father and his brother, he was not regarded as a popular ruler and suffered damnatio memoriae [a] after his assassination. Nevertheless, several marble portraits of Domitian survive- the present example is one of the finest. This realistic portrait of him at about age forty expresses something of the absolute power that Domitian wielded over the entire Roman world, but it also depicts personal characteristics- notably, he wears a wig that concealed his baldness in later life. Despite hostile accounts of his reign written by senatorial authors such as Tacitus and Suetonius in the early second century A.D., he was a competent administrator, economist and military leader. He lead successful campaigns in defense of the Rhine and the Danube frontiers, and his troops also saw action on other fronts, from Scotland in the north to Azerbaijan in the east. He did much to rebuild Rome after the disastrous fire of A.D. 64 and completed the construction of the Flavian amphitheater, better known as the Colosseum. According to Suetonius, Domitian was the first emperor to assume the titles dominus et deus (lord and divinity) and to insist on subservience from senators, officials, and citizens alike. It was his self-aggrandizement and authoritarianism that not only earned him his reputation for greed, debauchery, and cruelty but also led ultimately to his death at the hands of his own courtiers. (source; metropolitan museum of art) náhodný výběr modelů Benczúr Gyula Bust in Szeged, Hungary Seated Figure, Mexico The Sainbury Centre for Visual Arts, UEA, Norwich Stone Rattlesnake at The British Museum, London Colossal Granite Fist at The British Museum, London Miron Cristea in Caransebes, Romania Monument to Jan Frans Willems in Ghent, Belgium
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