3D modely ART

Ugolino and His Sons at the MET, New York

velikost souboru - 67MB

stáhnout soubor 3D vizualizace

Title
Ugolino and His Sons

Artist
Jean-Baptiste Carpeaux (Valenciennes 1827 - Courbevoie 1875)

Date
1865-67

Medium
Saint-Béat marble

Dimensions
197.5 x 149.9 x 110.5 cm (1705.1 kg)

Accession #
67.25

Credit
Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift and Fletcher Fund, 1967

Dante's Divine Comedy has always enjoyed favor in the plastic arts. Ugolino, the character that galvanized peoples' fantasies and fears during the second half of the nineteenth century, appears in Canto 33 of the Inferno. This intensely Romantic sculpture derives from the passage in which Dante describes the imprisonment in 1288 and subsequent death by starvation of the Pisan count Ugolino della Gherardesca and his offspring. Carpeaux depicts the moment when Ugolino, condemned to die of starvation, yields to the temptation to devour his children and grandchildren, who cry out to him:But when to our somber cell was thrownA slender ray, and each face was litI saw in each the aspect of my own,For very grief both of my hands I bit,And suddenly from the floor arising they,Thinking my hunger was the cause of it,Exclaimed: Father eat thou of us, and stayOur suffering: thou didst our being dressIn this sad flesh; now strip it all away.Carpeaux's visionary composition reflects his reverence for Michelangelo, as well as his own painstaking concern with anatomical realism. Ugolino and His Sons was completed in plaster in 1861, the last year of his residence at the French Academy in Rome. A sensation in Rome, it brought Carpeaux many commissions. Upon his return to France, Ugolino was cast in bronze at the order of the French Ministry of Fine Arts and exhibited in the Paris Salon of 1863. Later it was moved to the gardens of the Tuilieries, where it was displayed as a pendant to a bronze of the Laocoön. This marble version was executed by the practitioner Bernard under Carpeaux's supervision and completed in time for the Universal Exposition at Paris in 1867. The date inscribed on the marble refers to the original plaster model's completion.
(image credit, Metropolitan Museum of Art)

náhodný výběr modelů

The Rascal in Antwerp, Belgium

Lord George Cavendish at The National Portrait Gallery, London

Prometheus at The Louvre, Paris

The Large Spark at the Middelheim Museum in Antwerp, Belgium

Portrait of Domitia Longina at The State Hermitage Museum, St Petersburg

Mask/Helmet II at the Sainsbury Centre for Visual Arts, Norwich

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Ugolino and His Sons at the MET, New York velikost souboru - 67MB stáhnout soubor 3D vizualizace Title Ugolino and His Sons Artist Jean-Baptiste Carpeaux (Valenciennes 1827 - Courbevoie 1875) Date 1865-67 Medium Saint-Béat marble Dimensions 197.5 x 149.9 x 110.5 cm (1705.1 kg) Accession # 67.25 Credit Purchase, Josephine Bay Paul and C. Michael Paul Foundation Inc. Gift, Charles Ulrick and Josephine Bay Foundation Inc. Gift and Fletcher Fund, 1967 Dante's Divine Comedy has always enjoyed favor in the plastic arts. Ugolino, the character that galvanized peoples' fantasies and fears during the second half of the nineteenth century, appears in Canto 33 of the Inferno. This intensely Romantic sculpture derives from the passage in which Dante describes the imprisonment in 1288 and subsequent death by starvation of the Pisan count Ugolino della Gherardesca and his offspring. Carpeaux depicts the moment when Ugolino, condemned to die of starvation, yields to the temptation to devour his children and grandchildren, who cry out to him:But when to our somber cell was thrownA slender ray, and each face was litI saw in each the aspect of my own,For very grief both of my hands I bit,And suddenly from the floor arising they,Thinking my hunger was the cause of it,Exclaimed: Father eat thou of us, and stayOur suffering: thou didst our being dressIn this sad flesh; now strip it all away.Carpeaux's visionary composition reflects his reverence for Michelangelo, as well as his own painstaking concern with anatomical realism. Ugolino and His Sons was completed in plaster in 1861, the last year of his residence at the French Academy in Rome. A sensation in Rome, it brought Carpeaux many commissions. Upon his return to France, Ugolino was cast in bronze at the order of the French Ministry of Fine Arts and exhibited in the Paris Salon of 1863. Later it was moved to the gardens of the Tuilieries, where it was displayed as a pendant to a bronze of the Laocoön. This marble version was executed by the practitioner Bernard under Carpeaux's supervision and completed in time for the Universal Exposition at Paris in 1867. The date inscribed on the marble refers to the original plaster model's completion. (image credit, Metropolitan Museum of Art) náhodný výběr modelů The Rascal in Antwerp, Belgium Lord George Cavendish at The National Portrait Gallery, London Prometheus at The Louvre, Paris The Large Spark at the Middelheim Museum in Antwerp, Belgium Portrait of Domitia Longina at The State Hermitage Museum, St Petersburg Mask/Helmet II at the Sainsbury Centre for Visual Arts, Norwich
©Ofrii 2012