3D modely ART

Head with lead eyes at Musée Zadkine, Paris, France

velikost souboru - 16MB

stáhnout soubor 3D vizualizace

This head, with its so-called “lead eyes”, takes its name from the metal with which the eyes were originally inlaid, and which today has disappeared. It is emblematic of his work of the post-war years. With this austere-looking head, Zadkine pushes stylization of form to its extremes. Simplification of planes. The removal of certain details and disproportionality of those retained (the protuberance of the skull which has turned into a helmet, the elongation of the bridge of the nose, the flattening of the face, the geometrization of the eyebrow arch and the exaggeration of the naso-labial fold). Here, Zadkine's art is very close to that of Modigliani. The two artists knew each other well. It is not an art of mimesis based on the imitation of nature, but on the free reconstruction of form, of invention.

náhodný výběr modelů

The Angel's Ladder in Caransebes, Romania

Baptismal Font at The V&A, London

Hestia - Elgin Marble, at The British Museum, London

John The Batpist in Florence, Italy

Pierre Puget at The Louvre, Paris

Francesco Cinzio Benincasa at V&A, London

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Head with lead eyes at Musée Zadkine, Paris, France velikost souboru - 16MB stáhnout soubor 3D vizualizace This head, with its so-called “lead eyes”, takes its name from the metal with which the eyes were originally inlaid, and which today has disappeared. It is emblematic of his work of the post-war years. With this austere-looking head, Zadkine pushes stylization of form to its extremes. Simplification of planes. The removal of certain details and disproportionality of those retained (the protuberance of the skull which has turned into a helmet, the elongation of the bridge of the nose, the flattening of the face, the geometrization of the eyebrow arch and the exaggeration of the naso-labial fold). Here, Zadkine's art is very close to that of Modigliani. The two artists knew each other well. It is not an art of mimesis based on the imitation of nature, but on the free reconstruction of form, of invention. náhodný výběr modelů The Angel's Ladder in Caransebes, Romania Baptismal Font at The V&A, London Hestia - Elgin Marble, at The British Museum, London John The Batpist in Florence, Italy Pierre Puget at The Louvre, Paris Francesco Cinzio Benincasa at V&A, London
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