3D modely ART

Crouching Woman at La Musée Rodin, France

velikost souboru - 23MB

stáhnout soubor 3D vizualizace

The original figure, conceived for the tympanum of The Gates of Hell , looks like a compact block with limbs gathered together and pressed tightly against the torso. This block-like sculpture reflects Rodin’s aesthetic analysis of Michelangelo’s sculpture: it is a work that, to quote the great Italian artist, could roll down a hill without breaking. One of the earliest figures modelled for The Gates of Hell , it was enlarged and slightly modified several years after its conception. In its simultaneously open and closed posture, the figure is representative of the raw eroticism expressed in some of Rodin’s works during this period. Not the eroticism found in his figures of naiads or The Kiss , but a dark, disturbing sexuality, often regarded as obscene because of the muffled violence that seems to emanate from the sculpture. The quasi-animal sensuality of this figure, nicknamed the “frog”, or a “batrachian” by some of Rodin’s contemporaries, is what made it so successful. Rodin reworked it in different materials and sizes, for example in I Am Beautiful and The Fallen Caryatid carrying her Stone or The Fallen Caryatid with Urn.

Sculpted in 1882 by Rodin.

náhodný výběr modelů

Protesilaos at The British Museum, London

Antarctica in Caransebes, Romania

The Little Fourteen-Year-Old Dancer at The Réunion des Musées Nationaux, Paris

African Statuette at The Réunion des Musées Nationaux, Paris

La Terre S'Éveille in Geneva, Switzerland

Virgin and Child at The Museum of Fine Arts, Ghent, Belgium

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Crouching Woman at La Musée Rodin, France velikost souboru - 23MB stáhnout soubor 3D vizualizace The original figure, conceived for the tympanum of The Gates of Hell , looks like a compact block with limbs gathered together and pressed tightly against the torso. This block-like sculpture reflects Rodin’s aesthetic analysis of Michelangelo’s sculpture: it is a work that, to quote the great Italian artist, could roll down a hill without breaking. One of the earliest figures modelled for The Gates of Hell , it was enlarged and slightly modified several years after its conception. In its simultaneously open and closed posture, the figure is representative of the raw eroticism expressed in some of Rodin’s works during this period. Not the eroticism found in his figures of naiads or The Kiss , but a dark, disturbing sexuality, often regarded as obscene because of the muffled violence that seems to emanate from the sculpture. The quasi-animal sensuality of this figure, nicknamed the “frog”, or a “batrachian” by some of Rodin’s contemporaries, is what made it so successful. Rodin reworked it in different materials and sizes, for example in I Am Beautiful and The Fallen Caryatid carrying her Stone or The Fallen Caryatid with Urn. Sculpted in 1882 by Rodin. náhodný výběr modelů Protesilaos at The British Museum, London Antarctica in Caransebes, Romania The Little Fourteen-Year-Old Dancer at The Réunion des Musées Nationaux, Paris African Statuette at The Réunion des Musées Nationaux, Paris La Terre S'Éveille in Geneva, Switzerland Virgin and Child at The Museum of Fine Arts, Ghent, Belgium
©Ofrii 2012