3D modely ART

The Blond Negress at The MoMA, New York

velikost souboru - 35MB

stáhnout soubor 3D vizualizace

Fusing the traditions of classical sculpture with Romanian, African, Egyptian, and, later, even industrial forms, Brancusi's groundbreaking works introduced abstraction and primitivism into sculptural practice. They were as important to the development of Modernism as the paintings of Pablo Picasso.
Brancusi's sculptural vocabulary consisted of relatively few highly distilled forms, one of the most significant being the ovoid or egg shape that is the basis for La Négress blonde. The title of the work makes reference to an African woman Brancusi had met in Marseilles. The perfect, upturned ovoid serves as the woman's head. Her distinguishing features are reduced to a pair of full lips, a chignon, and a zigzag ornament at the back of the neck, perhaps denoting a scarf or the lower part of her coiffure. The sculpture's pedestal comprises a cylinder, a Greek cross, and a plinth that can be read as the woman's body, shoulders, and neck. The bronze portion of the sculpture, however, can also be interpreted as the body of a golden fish, the top and rear embellishments becoming its dorsal and tail fins. The highly polished surface allows the viewer to contemplate the contrast between the simplicity of the sculpture and the complexity of his or her own reflection.
In attempting to capture the "essence of things," Brancusi broke with the Western tradition of representing the world in a realistic manner and paved the way for twentieth-century sculptural abstraction. His work was radical for its time, and when detractors refused to consider it art, his friend and peer Marcel Duchamp came to his defense, arguing, "To say that the sculpture of Brancusi is not art is like saying an egg is not an egg." Source: http://www.sfmoma.org/explore/collection/artwork/88#ixzz3fOCvk15i

náhodný výběr modelů

Statue of Nenkhefetka at The British Museum, London

Satyr and a Young Faun in Brussels, Belgium

Hindu God at The Metropolitan Museum of Art, New York

Karel Buls Ornament in Brussels, Belgium

Bust of Theodore Roosevelt at the American Museum of Natural History

Divine masculine (dikpala) at the Guimet museum, Paris

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART The Blond Negress at The MoMA, New York velikost souboru - 35MB stáhnout soubor 3D vizualizace Fusing the traditions of classical sculpture with Romanian, African, Egyptian, and, later, even industrial forms, Brancusi's groundbreaking works introduced abstraction and primitivism into sculptural practice. They were as important to the development of Modernism as the paintings of Pablo Picasso. Brancusi's sculptural vocabulary consisted of relatively few highly distilled forms, one of the most significant being the ovoid or egg shape that is the basis for La Négress blonde. The title of the work makes reference to an African woman Brancusi had met in Marseilles. The perfect, upturned ovoid serves as the woman's head. Her distinguishing features are reduced to a pair of full lips, a chignon, and a zigzag ornament at the back of the neck, perhaps denoting a scarf or the lower part of her coiffure. The sculpture's pedestal comprises a cylinder, a Greek cross, and a plinth that can be read as the woman's body, shoulders, and neck. The bronze portion of the sculpture, however, can also be interpreted as the body of a golden fish, the top and rear embellishments becoming its dorsal and tail fins. The highly polished surface allows the viewer to contemplate the contrast between the simplicity of the sculpture and the complexity of his or her own reflection. In attempting to capture the "essence of things," Brancusi broke with the Western tradition of representing the world in a realistic manner and paved the way for twentieth-century sculptural abstraction. His work was radical for its time, and when detractors refused to consider it art, his friend and peer Marcel Duchamp came to his defense, arguing, "To say that the sculpture of Brancusi is not art is like saying an egg is not an egg." Source: http://www.sfmoma.org/explore/collection/artwork/88#ixzz3fOCvk15i náhodný výběr modelů Statue of Nenkhefetka at The British Museum, London Satyr and a Young Faun in Brussels, Belgium Hindu God at The Metropolitan Museum of Art, New York Karel Buls Ornament in Brussels, Belgium Bust of Theodore Roosevelt at the American Museum of Natural History Divine masculine (dikpala) at the Guimet museum, Paris
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