3D modely ART

Portrait of Natalie de Laborde at The Réunion des Musées Nationaux, Paris

velikost souboru - 35MB

stáhnout soubor 3D vizualizace

Title
Portrait of Nathalie de Laborde (1774-1836)

Artist
Augustin Pajou (Paris, 1730 - Paris, 1809)

Date
1789

Medium
Terracotta

Dimensions
H. 0.43m x L. 0.29m x D. 0.25m

Accession #
R.F. 4381

Credit
Acquired in 1991

Augustin Pajou sculpted the portrait of a dreamy young woman, unaware that she is living the last moments of innocence before her tragic destiny unfolds. He portrayed the daughter of Farmer General Jean-Joseph de Laborde a year before her marriage to Count Charles de Noailles, the future Duke de Mouchy. The beauty of the model and the finesse of Pajou's execution make it one of the most beautiful female portraits in 18th-century sculpture.
This beautiful terracotta portrait, sculpted in 1789, shows the daughter of Farmer General Jean-Joseph de Laborde (a rich banker and art lover), a year before her marriage to Count Charles de Noailles, the future Duke de Mouchy. We see the same traits in the marble Augustin Pajou sculpted three years later, Nathalie de Laborde in Filial Piety (private collection), for the park at Méréville (a masterpiece of 18th-century landscape gardening designed by the painter Hubert Robert for de Laborde). Following the example of his master, Jean-Baptiste II Lemoyne, Pajou sculpted numerous portrait busts of women.
The portrait shows a very young, serious-looking woman, still hardly more than a child. Pajou's very sure modeling captures her uniform features and smooth skin, which contrast with her thick hair, whose locks are expertly arranged and tied with a ribbon. Nathalie's sideways gaze gives her a dreamy look. These are the last moments of calm and innocence of a young woman whose tragic destiny would end in her madness. She was imprisoned during the Terror after her husband had fled the country, and her father and most of her husband's family were guillotined. Freed in 1794, she went to England to join her husband, only to find him living with a mistress. He tried to rid himself of her by arranging an intrigue with one his friends. Indignant, she returned to France, where she led a dissolute existence. In 1805 she met Chateaubriand, with whom she had a passionate and stormy affair that ended in 1812. Already mentally unstable, she definitively lost her reason during the Hundred Days, the turbulent period that rekindled the anxiety of the Revolution. She spent the last twenty years of her life in a mental asylum.
This bust's elegant simplicity and finesse of execution make it one of the most beautiful female portraits in 18th-century sculpture. Formerly in the Deutsch de la Meurthe collection, it was bought by the Louvre at auction in 1991. It joined another magnificent female portrait by Pajou, his bust of the famous portrait painter Elisabeth Vigée-LeBrun.

náhodný výběr modelů

Panel depicting The Last Judgement at The British Museum, London

The Hammurabi Code at The Louvre, Paris

Pomona at the Louvre, Paris, France

Meleager at The British Museum

Dugonics András in Szeged, Hungary

The Three Graces at The Petit Palais, Paris

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Portrait of Natalie de Laborde at The Réunion des Musées Nationaux, Paris velikost souboru - 35MB stáhnout soubor 3D vizualizace Title Portrait of Nathalie de Laborde (1774-1836) Artist Augustin Pajou (Paris, 1730 - Paris, 1809) Date 1789 Medium Terracotta Dimensions H. 0.43m x L. 0.29m x D. 0.25m Accession # R.F. 4381 Credit Acquired in 1991 Augustin Pajou sculpted the portrait of a dreamy young woman, unaware that she is living the last moments of innocence before her tragic destiny unfolds. He portrayed the daughter of Farmer General Jean-Joseph de Laborde a year before her marriage to Count Charles de Noailles, the future Duke de Mouchy. The beauty of the model and the finesse of Pajou's execution make it one of the most beautiful female portraits in 18th-century sculpture. This beautiful terracotta portrait, sculpted in 1789, shows the daughter of Farmer General Jean-Joseph de Laborde (a rich banker and art lover), a year before her marriage to Count Charles de Noailles, the future Duke de Mouchy. We see the same traits in the marble Augustin Pajou sculpted three years later, Nathalie de Laborde in Filial Piety (private collection), for the park at Méréville (a masterpiece of 18th-century landscape gardening designed by the painter Hubert Robert for de Laborde). Following the example of his master, Jean-Baptiste II Lemoyne, Pajou sculpted numerous portrait busts of women. The portrait shows a very young, serious-looking woman, still hardly more than a child. Pajou's very sure modeling captures her uniform features and smooth skin, which contrast with her thick hair, whose locks are expertly arranged and tied with a ribbon. Nathalie's sideways gaze gives her a dreamy look. These are the last moments of calm and innocence of a young woman whose tragic destiny would end in her madness. She was imprisoned during the Terror after her husband had fled the country, and her father and most of her husband's family were guillotined. Freed in 1794, she went to England to join her husband, only to find him living with a mistress. He tried to rid himself of her by arranging an intrigue with one his friends. Indignant, she returned to France, where she led a dissolute existence. In 1805 she met Chateaubriand, with whom she had a passionate and stormy affair that ended in 1812. Already mentally unstable, she definitively lost her reason during the Hundred Days, the turbulent period that rekindled the anxiety of the Revolution. She spent the last twenty years of her life in a mental asylum. This bust's elegant simplicity and finesse of execution make it one of the most beautiful female portraits in 18th-century sculpture. Formerly in the Deutsch de la Meurthe collection, it was bought by the Louvre at auction in 1991. It joined another magnificent female portrait by Pajou, his bust of the famous portrait painter Elisabeth Vigée-LeBrun. náhodný výběr modelů Panel depicting The Last Judgement at The British Museum, London The Hammurabi Code at The Louvre, Paris Pomona at the Louvre, Paris, France Meleager at The British Museum Dugonics András in Szeged, Hungary The Three Graces at The Petit Palais, Paris
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