3D modely ART

Schematic 'Violin' Figurine at The British Museum, London

velikost souboru - 1MB

stáhnout soubor 3D vizualizace

Title
Schematic "violin" figurine

Artist
Grotta-Pelos culture

Date
2800 BC, Cycladic

Medium
marble

Dimensions
x

Accession#
GR 1889.5-21.2

Credit
BM Cat Sculpture A7

"The significant Late Neolithic and Early Bronze Age Cycladic culture is best known for its schematic flat female idols carved out of the islands' pure white marble centuries before the great Middle Bronze Age culture arose in Crete, to the south. These figures have been stolen from burials to satisfy the Cycladic antiquities market since the early 20th century. Only about 40% of the 1,400 figurines found are of known origin, since looters destroyed evidence of the rest.
A distinctive Neolithic culture amalgamating Anatolian and mainland Greek elements arose in the western Aegean before 4000 BC, based on emmer wheat and wild-type barley, sheep and goats, pigs, and tuna that were apparently speared from small boats. Excavated sites include Saliagos and Kephala (on Keos), which showed signs of copper-working. Each of the small Cycladic islands could support no more than a few thousand people, though Late Cycladic boat models show that fifty oarsmen could be assembled from the scattered communities. When the highly organized palace-culture of Crete arose, the islands faded into insignificance, with the exception of Delos, which retained its archaic reputation as a sanctuary through the period of Classical Greek civilization.
The chronology of Cycladic civilization is divided into three major sequences: Early, Middle and Late Cycladic. The early period, beginning c. 3000 BC segued into the archaeologically murkier Middle Cycladic c. 2500 BC. By the end of the Late Cycladic sequence (c. 2000 BC) there was essential convergence between Cycladic andMinoan civilization.The first archaeological excavations of the 1880s were followed by systematic work by theBritish School at Athens and by Christos Tsountas, who investigated burial sites on several islands in 1898–99 and coined the term "Cycladic civilization". Interest then lagged, but picked up in the mid-20th century, as collectors competed for the modern-looking figures that seemed so similar to sculpture by Jean Arp or Constantin Brâncuși. Sites were looted and a brisk trade in forgeries arose. The context for many of these Cycladic Figurines has thus been mostly destroyed; their meaning may never be completely understood. Another intriguing and mysterious object is that of the Cycladic frying pans.
Early Cycladic culture evolved in three phases, between ca. 3300 and 2000 BC, when it was increasingly submerged in the rising influence of Minoan Crete. Excavations atKnossos on Crete reveal an influence of Cycladic civilization upon Knossos in the period 3400 BC to 2000 BC as evidenced from pottery finds at Knossos."
(Credit; Wikipedia)

náhodný výběr modelů

Stemmed cup at The British Museum, London

Bust of Louis XIV at The Réunion des Musées Nationaux, Paris

Relief of Dionysos at The British Museum, London

Autumn at Tate Modern, London

Lichtleven at The Middelheim Museum, Antwerp

Boreas Abducting Oreithyia at The Fine Arts Museum in Brussels, Belgium

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Schematic 'Violin' Figurine at The British Museum, London velikost souboru - 1MB stáhnout soubor 3D vizualizace Title Schematic "violin" figurine Artist Grotta-Pelos culture Date 2800 BC, Cycladic Medium marble Dimensions x Accession# GR 1889.5-21.2 Credit BM Cat Sculpture A7 "The significant Late Neolithic and Early Bronze Age Cycladic culture is best known for its schematic flat female idols carved out of the islands' pure white marble centuries before the great Middle Bronze Age culture arose in Crete, to the south. These figures have been stolen from burials to satisfy the Cycladic antiquities market since the early 20th century. Only about 40% of the 1,400 figurines found are of known origin, since looters destroyed evidence of the rest. A distinctive Neolithic culture amalgamating Anatolian and mainland Greek elements arose in the western Aegean before 4000 BC, based on emmer wheat and wild-type barley, sheep and goats, pigs, and tuna that were apparently speared from small boats. Excavated sites include Saliagos and Kephala (on Keos), which showed signs of copper-working. Each of the small Cycladic islands could support no more than a few thousand people, though Late Cycladic boat models show that fifty oarsmen could be assembled from the scattered communities. When the highly organized palace-culture of Crete arose, the islands faded into insignificance, with the exception of Delos, which retained its archaic reputation as a sanctuary through the period of Classical Greek civilization. The chronology of Cycladic civilization is divided into three major sequences: Early, Middle and Late Cycladic. The early period, beginning c. 3000 BC segued into the archaeologically murkier Middle Cycladic c. 2500 BC. By the end of the Late Cycladic sequence (c. 2000 BC) there was essential convergence between Cycladic andMinoan civilization.The first archaeological excavations of the 1880s were followed by systematic work by theBritish School at Athens and by Christos Tsountas, who investigated burial sites on several islands in 1898–99 and coined the term "Cycladic civilization". Interest then lagged, but picked up in the mid-20th century, as collectors competed for the modern-looking figures that seemed so similar to sculpture by Jean Arp or Constantin Brâncuși. Sites were looted and a brisk trade in forgeries arose. The context for many of these Cycladic Figurines has thus been mostly destroyed; their meaning may never be completely understood. Another intriguing and mysterious object is that of the Cycladic frying pans. Early Cycladic culture evolved in three phases, between ca. 3300 and 2000 BC, when it was increasingly submerged in the rising influence of Minoan Crete. Excavations atKnossos on Crete reveal an influence of Cycladic civilization upon Knossos in the period 3400 BC to 2000 BC as evidenced from pottery finds at Knossos." (Credit; Wikipedia) náhodný výběr modelů Stemmed cup at The British Museum, London Bust of Louis XIV at The Réunion des Musées Nationaux, Paris Relief of Dionysos at The British Museum, London Autumn at Tate Modern, London Lichtleven at The Middelheim Museum, Antwerp Boreas Abducting Oreithyia at The Fine Arts Museum in Brussels, Belgium
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