3D modely ART

Portrait of Philip The Arab at The State Hermitage Museum, St Petersburg

velikost souboru - 58MB

stáhnout soubor 3D vizualizace

Title
Portrait of the Emperor Philip the Arab

Artist
Unknown

Date
From Ancient Rome, Mid-3rd century

Medium
Marble

Dimensions
Height, 70cm

Accession #
ГР-1709

Philip the Arab (c. 204-249, Emperor from 244) came from a barbarian family. In his struggle for power he relied on the army and used any means - from slander to murder. Having got rid of the Emperor Gordianus III (ruled 238-244), Philip became head of state; it was during his reign, in 247, that Rome celebrated its millennium. The Emperor is depicted wearing a tunic and toga, the straight folds of which do not convey any sense of the texture of the fabric; short notches convey the hair and beard, while the facial features are generalized; there is no fine modelling on the surface. Yet this rough weather-beaten face must be a true likeness in the traditions of Roman portraiture. The asymmetry of the features gives the expression a sense of liveliness, combining will and cruelty with suspicion and hidden fear. The simplified and expressive plastic language appeared in Roman art under the influence of the barbarian provinces and was in keeping with the tastes of the new rulers of the Empire.

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home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Portrait of Philip The Arab at The State Hermitage Museum, St Petersburg velikost souboru - 58MB stáhnout soubor 3D vizualizace Title Portrait of the Emperor Philip the Arab Artist Unknown Date From Ancient Rome, Mid-3rd century Medium Marble Dimensions Height, 70cm Accession # ГР-1709 Philip the Arab (c. 204-249, Emperor from 244) came from a barbarian family. In his struggle for power he relied on the army and used any means - from slander to murder. Having got rid of the Emperor Gordianus III (ruled 238-244), Philip became head of state; it was during his reign, in 247, that Rome celebrated its millennium. The Emperor is depicted wearing a tunic and toga, the straight folds of which do not convey any sense of the texture of the fabric; short notches convey the hair and beard, while the facial features are generalized; there is no fine modelling on the surface. Yet this rough weather-beaten face must be a true likeness in the traditions of Roman portraiture. The asymmetry of the features gives the expression a sense of liveliness, combining will and cruelty with suspicion and hidden fear. The simplified and expressive plastic language appeared in Roman art under the influence of the barbarian provinces and was in keeping with the tastes of the new rulers of the Empire. náhodný výběr modelů Untitled (Hawk) in Lille, France Mission Priest at the Mission San Juan Capistrano in California, USA Clay Seated Buddha at The British Museum, London The Mask Merchant in the Jardin du Luxembourg, Paris Yan State knife money at The British Museum, London Venus with Conch in Warandepark, Brussels
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