3D modely ART

The Venus Callipyge at The Louvre, Paris

velikost souboru - 35MB

stáhnout soubor 3D vizualizace

The Venus Callipyge, also known as the Aphrodite Kallipygos (or the Callipygian Venus, all literally meaning "Venus (or Aphrodite) of the beautiful buttocks", is an Ancient Roman marble statue, thought to be a copy of an older Greek original. In an example of anasyrma, it depicts a partially draped woman, raising her light peplos to uncover her hips and buttocks, and looking back and down over her shoulder, perhaps to evaluate them. The subject is conventionally identified as Venus (Aphrodite), though it may equally be a portrait of a mortal woman.
The marble statue extant today dates to the late 1st century BC. The lost Greek original on which it is based is thought to have been bronze, and to have been executed around 300 BC, towards the beginning of the Hellenistic era. The provenance of the marble copy is unknown, but it was rediscovered, missing its head, in the early modern era. The head was restored, first in the 16th century and again in the 18th century (in which case the sculptor followed the earlier restoration fairly closely); the restored head was made to look over the shoulder, drawing further attention to the statue's bare buttocks and thereby contributing to its popularity. In the 17th and 18th centuries the statue was identified as Venus and associated with a temple to Aphrodite Kallipygos at Syracuse, discussed by Athenaeus in his Deipnosophists.
The statue was copied a number of times, including byJean-Jacques Clérion and François Barois (this one) which was made during his residence at the French Academy in Rome, 1683-86. It was sent to Versailles, then to Marly-le-Roi in 1695, where it was provided with additional marble draperies by Jean Thierry, not to offend an increasingly prudish public taste; it remained at Marly until the original, when it found its way to the Jardin des Truileries and Louvre.

náhodný výběr modelů

Flayed Man at The Louvre, Paris

Giuseppe Parini at The Borghese Garden, Italy

Female Deity at the Metropolitan Museum of Art, New York

Jingdezhen Jar at The British Museum, London

Study for the Head of Christ of The Human Passions at The Museum of Fine Arts in Ghent, Belgium

Lion in Caransebes, Romania

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART The Venus Callipyge at The Louvre, Paris velikost souboru - 35MB stáhnout soubor 3D vizualizace The Venus Callipyge, also known as the Aphrodite Kallipygos (or the Callipygian Venus, all literally meaning "Venus (or Aphrodite) of the beautiful buttocks", is an Ancient Roman marble statue, thought to be a copy of an older Greek original. In an example of anasyrma, it depicts a partially draped woman, raising her light peplos to uncover her hips and buttocks, and looking back and down over her shoulder, perhaps to evaluate them. The subject is conventionally identified as Venus (Aphrodite), though it may equally be a portrait of a mortal woman. The marble statue extant today dates to the late 1st century BC. The lost Greek original on which it is based is thought to have been bronze, and to have been executed around 300 BC, towards the beginning of the Hellenistic era. The provenance of the marble copy is unknown, but it was rediscovered, missing its head, in the early modern era. The head was restored, first in the 16th century and again in the 18th century (in which case the sculptor followed the earlier restoration fairly closely); the restored head was made to look over the shoulder, drawing further attention to the statue's bare buttocks and thereby contributing to its popularity. In the 17th and 18th centuries the statue was identified as Venus and associated with a temple to Aphrodite Kallipygos at Syracuse, discussed by Athenaeus in his Deipnosophists. The statue was copied a number of times, including byJean-Jacques Clérion and François Barois (this one) which was made during his residence at the French Academy in Rome, 1683-86. It was sent to Versailles, then to Marly-le-Roi in 1695, where it was provided with additional marble draperies by Jean Thierry, not to offend an increasingly prudish public taste; it remained at Marly until the original, when it found its way to the Jardin des Truileries and Louvre. náhodný výběr modelů Flayed Man at The Louvre, Paris Giuseppe Parini at The Borghese Garden, Italy Female Deity at the Metropolitan Museum of Art, New York Jingdezhen Jar at The British Museum, London Study for the Head of Christ of The Human Passions at The Museum of Fine Arts in Ghent, Belgium Lion in Caransebes, Romania
©Ofrii 2012