3D modely ART

The Greek Slave at The Corcoran Gallery, Washington DC

velikost souboru - 39MB

stáhnout soubor 3D vizualizace

Title
The Greek Slave

Artist
Hiram Powers (1805-1873)

Date
modeled 1841-43; carved 1846

Medium
Marble

Dimensions
66 x 19 x 17 in.

Accession #
73.4

Credit
Gift of William Wilson Corcoran

The Greek Slave, the first publicly exhibited, life-size American sculpture depicting a fully nude female figure, met with unprecedented popular and critical success. Arguably the most famous American sculpture ever, the Slave not only won Hiram Powers international acclaim but also enhanced the overseas reputation of American art and culture. After completing his first Greek Slave in 1844—now in the collection of Raby Castle, England—Powers produced five full-size replicas. William Wilson Corcoran purchased this marble, the first of those replicas, in 1851.
The event that established the Greek Slave as one of America’s most celebrated works of art was the 1847–1851 tour of two versions of the sculpture, including the Corcoran’s, around the eastern United States. Aware that the Slave’s nudity might provoke disapproval on the part of a conservative American art audience, Powers was careful to exhibit his marble with texts that stressed the subject’s “high moral and intellectual beauty.”
The figure’s nudity increased its notoriety. However, the work’s acclaim in the United States in the mid-19th century stemmed also from its relationship to recent and contemporary political events. Powers chose a subject inspired by Greece’s struggle for independence in the 1820s; many literary, artistic, and critical responses to the sculpture linked it to the ongoing debate over American slavery.
William Wilson Corcoran displayed the prized sculpture prominently in his Washington mansion, where it attracted enormous publicity and confirmed his reputation as a discerning collector. In Florence, Powers was overwhelmed by the demand for more full-size versions and busts. The sculpture’s popularity also permeated popular culture, inspiring everything from miniature reproductions and designs for chewing-tobacco tins to poetry and sheet music.
(source; Corcoran website)
You can find the bust of this sculpture, also created by Powers, here!

náhodný výběr modelů

The Pan Flute Player in Valenciennes, France

Ion Romanu in Timisoara, Romania

Dove at The British Museum, London

Elephant at The Guimet Museum, Paris

Carved Nimba Mask at The British Museum, London

Sir Winston Churchill

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART The Greek Slave at The Corcoran Gallery, Washington DC velikost souboru - 39MB stáhnout soubor 3D vizualizace Title The Greek Slave Artist Hiram Powers (1805-1873) Date modeled 1841-43; carved 1846 Medium Marble Dimensions 66 x 19 x 17 in. Accession # 73.4 Credit Gift of William Wilson Corcoran The Greek Slave, the first publicly exhibited, life-size American sculpture depicting a fully nude female figure, met with unprecedented popular and critical success. Arguably the most famous American sculpture ever, the Slave not only won Hiram Powers international acclaim but also enhanced the overseas reputation of American art and culture. After completing his first Greek Slave in 1844—now in the collection of Raby Castle, England—Powers produced five full-size replicas. William Wilson Corcoran purchased this marble, the first of those replicas, in 1851. The event that established the Greek Slave as one of America’s most celebrated works of art was the 1847–1851 tour of two versions of the sculpture, including the Corcoran’s, around the eastern United States. Aware that the Slave’s nudity might provoke disapproval on the part of a conservative American art audience, Powers was careful to exhibit his marble with texts that stressed the subject’s “high moral and intellectual beauty.” The figure’s nudity increased its notoriety. However, the work’s acclaim in the United States in the mid-19th century stemmed also from its relationship to recent and contemporary political events. Powers chose a subject inspired by Greece’s struggle for independence in the 1820s; many literary, artistic, and critical responses to the sculpture linked it to the ongoing debate over American slavery. William Wilson Corcoran displayed the prized sculpture prominently in his Washington mansion, where it attracted enormous publicity and confirmed his reputation as a discerning collector. In Florence, Powers was overwhelmed by the demand for more full-size versions and busts. The sculpture’s popularity also permeated popular culture, inspiring everything from miniature reproductions and designs for chewing-tobacco tins to poetry and sheet music. (source; Corcoran website) You can find the bust of this sculpture, also created by Powers, here! náhodný výběr modelů The Pan Flute Player in Valenciennes, France Ion Romanu in Timisoara, Romania Dove at The British Museum, London Elephant at The Guimet Museum, Paris Carved Nimba Mask at The British Museum, London Sir Winston Churchill
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