3D modely ART

Bust of a Roman Woman at The State Hermitage Museum, St Petersburg

velikost souboru - 35MB

stáhnout soubor 3D vizualizace

Title
Bust of a Roman Woman

Artist
Unknown, Roman

Date
First half of the 1st century B.C.

Medium
Marble

Dimensions
Height, 35 cm

Accession #
P-9170

The appearance of sculptural portraits in Ancient Rome had much to do with the cult of ancestors. Portraits were often made in the form of a small bust which was attached to a stone pillar or herm and placed in a tomb. The Hermitage portrait would seem to have been made for a burial vault, hence the master's attention to conveying a physical likeness. In sculptures of the early Empire period, including this piece, Greek traditions continued to influence the plastic working up of form and the softer modelling of the marble surface. At the same time the typical Roman approach was still reflected in the details of the fashionable hairstyle, the careful working up of the soft folds of the clothing attached to the shoulders with flat fibulae. The strict, simple nature of the bust can be explained by its funerary purpose.

náhodný výběr modelů

Statue of Kichijoten at The British Museum, London

Model for the Fountain of the Moor at The Kimbell Art Museum, Texas

Gates of Hell (bottom right) at The Musée Rodin, Paris

Light and Shadow in Caransebes, Romania

General Henri Gourard at the Square d'Ajaccio, Paris

Ada Lewis Memorial Fountain Maidenhead, UK

home technologie 3D tisku 3D tiskarny materiály 3D scanery 3D modely ART 3D programy 3D Slicer Reklama 3D tiskárny AONN.cz Spřátelené Weby		3D modely ART Bust of a Roman Woman at The State Hermitage Museum, St Petersburg velikost souboru - 35MB stáhnout soubor 3D vizualizace Title Bust of a Roman Woman Artist Unknown, Roman Date First half of the 1st century B.C. Medium Marble Dimensions Height, 35 cm Accession # P-9170 The appearance of sculptural portraits in Ancient Rome had much to do with the cult of ancestors. Portraits were often made in the form of a small bust which was attached to a stone pillar or herm and placed in a tomb. The Hermitage portrait would seem to have been made for a burial vault, hence the master's attention to conveying a physical likeness. In sculptures of the early Empire period, including this piece, Greek traditions continued to influence the plastic working up of form and the softer modelling of the marble surface. At the same time the typical Roman approach was still reflected in the details of the fashionable hairstyle, the careful working up of the soft folds of the clothing attached to the shoulders with flat fibulae. The strict, simple nature of the bust can be explained by its funerary purpose. náhodný výběr modelů Statue of Kichijoten at The British Museum, London Model for the Fountain of the Moor at The Kimbell Art Museum, Texas Gates of Hell (bottom right) at The Musée Rodin, Paris Light and Shadow in Caransebes, Romania General Henri Gourard at the Square d'Ajaccio, Paris Ada Lewis Memorial Fountain Maidenhead, UK
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